Saturday, November 29, 2014

A review of Red Riding Hood by Sarah Blakley-Cartwright and David Leslie Johnson

WARNING:  This review is full of spoilers.  Read at your own risk.  
I started reading Red Riding Hood with very high hopes.  I’ve been reading a lot of fairy tale retellings over the past couple months, and this seemed like it would be good.  
It wasn’t as good as I had hoped.  
At first I loved it.  I read all of part one plus a couple chapters in part two in a morning and couldn’t wait until I could figure out what happened next.  After two hundred pages, the stereotypical young adult love triangle started to irritate me.  Boy loves girl; girl thinks he’s nice but she loves mysterious boy who showed up out of nowhere; mysterious boy likes her too but has some reason for why they shouldn’t be together.  Really?  Why haven’t all the young adult authors moved beyond that?  Shouldn’t they?  Shouldn’t the readers demand that they do so?  Personally, I’m pretty sick of love triangles, especially if they’re predictable and poorly written.  
The characters themselves are not very engaging.  I never got attached enough to any of the characters to care what happened to them - even if they died.  I was just like, “Oh look, Lucie’s dead.  Now Henry’s father died.  Now Claude died.  And now The Reeve died” (I actually wouldn’t have cared about The Reeve no matter what because I just didn’t like him).  Some of the deaths were just so unexpected and random that I didn’t even feel upset.  Oh, Valerie’s grandmother died?  I should feel upset.  But I don’t.  They just weren’t that well developed.  
I also didn’t like that there was a “Bonus chapter” online.  Really, it wasn’t like an extra bit about one of the characters or a couple pages of back-story or what the heck Peter did while he was gone.  It was a chapter of the book that got cut off and put online.  It was important to wrapping up the plot.  But why put it only online?  To get people to watch the movie?  To get people who liked the book to buy the movie?  The book isn’t complete without the bonus chapter.  The ending of the last chapter in the book doesn’t make sense without going online and reading the “bonus” chapter which is really not a bonus but the ending of the story.  I hate it when authors do this.  Some people don’t look to see if there’s a website for a book so they have no idea what something means or, in this case, how the story ends.  Seriously, why is the last chapter on the website?  It’s not like they’re making money by advertising things, they just advertise the movie trailer.  
My last complaint is that the level of gore was completely unnecessary.  I didn’t want to read the details of how people were hit by an axe, or how they looked after they were hit by an axe.  Nobody wants to know that.  Well, maybe some people but I don’t want to know them.

Two stars.  

Saturday, November 1, 2014

Why adult literature ruins that written for children

Neverwhere ruined Un Lun Dun.  
Stardust ruined any young adult fairy-themed romance ever.  
We Have Always Lived in the Castle ruined Green Angel and any other book with insanity.  
Books written for adults are more interesting because they are often better written.  In addition, the books have more accurate situations because adult writers will not think that they cannot write something that would be inappropriate for children.  Some children’s authors do not know how to explain certain situations because they don’t know what the child knows or does not know.  This leads to scenarios in children’s literature where the violence is too staged, the relationships are too scripted and awkward.  Yes, it tells the story but it leaves the characters a bit flat.  
In We Have Always Lived in the Castle Mary Cat actually poisoned her family because she was mad at them.  Then she went on to do things like nailing books to trees to keep herself safe.  When her cousin came, it was because the book fell leaving her unprotected instead of just a happenstance.  She is clearly insane.  She talks about flying to the moon and living there with her sister-it is always nice on the moon.  In Green Angel, the main character’s parents die but she doesn’t kill them.  Instead of nailing books to trees as protection, she sews spiky things to her jacket to keep herself safe.  We Have Always Lived in the Castle has the space to let a character be truly insane and the writer knows how to do real insanity.  Whereas, in Green Angel the main character, who could easily have been insane and it would have made for a better story, is not.  Her parents were killed in a fire while she was mad at them.  It would have been understandable for her to go insane from fear, guilt, and sorrow.  She does the things an insane person might-adding spiky things to her clothing, gathering rocks for her family members-but the author never makes the leap to true insanity.  
It is this resistance to making situations and characters too real that holds children’s literature back.  There are so many young adult books out there about depression or suicide and other problems that real people face, but even those seem almost unreal.  Sometimes there’s an unrealistically happy ending where anyone who wasn’t nice suddenly sees the error of their ways, or a depressed character is suddenly happy and everything is good.  All bullies end up good in the end, just misunderstood.  People always end up either with their crush or with the right person they hadn’t realized they were meant to be with.  Life is not like this.  
Adult writers know this and they don’t write books that lead to a falsely happy ending.  They have realistic endings even when they are sad or unexpected.  If there is a character who completely changes, it is in a more natural and realistic way.  There are probably some adult books with falsely happy endings and adults who want to read them, but there is a greater potential to present a more honest and realistic telling.  

I know there are books written for children that have more realistic characters and situations, but they often read as an adult trying to relate back to children instead of one human telling another human a story.  

Wednesday, October 29, 2014

Toys 'R' Us: Marketing to the Voiceless

Today the Toys ‘R’ Us Christmas Catalog came in the mail.  The packaging is like a Christmas gift.  Colorful candy canes and trees and a big orange bow in the corner.  It also advertises a free poster inside.  
To get to the catalog, you actually have to unwrap the gift-wrap-like packaging.  Kids don’t normally get much mail and to get something that looks like a present would be very exciting for them.  They would want to have it, open it, and look at it.  The inside of the wrapper is the free poster, which is actually a decorated list of all the Skylanders Trap Team figures-the poster is an advertisement.  On the sides of the poster there are more advertisements for limited edition comic books, video games, and more products.  
There are sixty-five different figures to collect.  Most individual figures cost around sixteen dollars, so if a child wanted all of them they would spend almost a thousand dollars, if not more.  Some of the figures are closer to ten dollars, but there are more things to collect.  Don’t forget the trap crystals and video games and everything else.  
To play this video game, you’ll need whatever gaming system is needed-and that kind of thing isn’t cheap either.  According to the Toys “R” Us website, an Xbox 360 gaming system is normally 199.99 (nice charm pricing) and it’s on sale for 179.99 (probably only on sale for the holiday season, so buy now).  To buy the 500 GB Media Hard Drive, which you’ll need to have if you want to save your game and the games of all of your friends, it would cost an extra 109.99 dollars BUT, the Media Hard Drive will be shipped to your house for free with any purchase of 49+ dollars (so it would ship free with the purchase of a few of the Skylanders action figures or the purchase of an Xbox 360).  It even says “Skylanders Trap Team and Xbox go great together!”  
And the spending doesn’t stop there.  You can also get extra controllers, batteries and chargers, special cables, headsets, and storage.  But not all of the storage is for games, some of it is to store your Skylanders.  
You don’t have to buy an Xbox to play with your Skylanders though, you could buy a PlayStation 4, if you preferred.  They only cost 399.99, think of the savings.  Of course, they would require all of the extra cables and controllers and hundreds of dollars of other extra things.  
But wait, there’s more.  
On the first page of the catalog, you see a bunch of characters and toys.  The man from Monopoly, an orange hippo (I assume that this one is from Hungry, Hungry, Hippos, but I don’t know as it was just a mere board game when I played it), Littlest Pet Shop animals, Play-Doh creatures, Nerf Guns, My Little Pony (they don’t show pictures of the toys, they show pictures of the characters from the TV show), and what looks like a Transformer dragon/dinosaur/robot thing.  
The catalog comes complete (as does nothing in it) with a special page for kids to make their wishlists, or they could just check the boxes beside each of the products to show “Santa” what they want.  
The catalog talks directly to the parents (“Your little Turtle is showing off his new powers and Elsa’s singing her heart out.”) and then it says “And you finally got that cup of coffee.”  It’s not about getting toys for your child now, it’s about getting time for you.  That well earned break you deserve can be your’s if you just pick the right items from the catalog in your hands.    
Talking about something as if the customer already owns it (the child and parent are already envisioning themselves in the scenario the catalog has set up) is a marketing trick, but children won’t think about that.  They’ll think about how happy they would be to have an Elsa doll, or how fun it would be to play with a Ninja Turtle.  
Here are some of the highlights from the catalog:
The Fabulous 15! list is the list of cool toys for 2015.  The first toy is a little car from a TV show.  It is shown with a stuffed animal and a plastic sheep.  It’s on sale for only 44.99, but the stuffed animal and plastic sheep are sold separately (and probably not on sale, either).  Children won’t look at that, though.  They’ll just check the box beside the toy and move on to the next page.  
The second toy is-unsurprisingly-the Skylanders Trap Team Starter Pack.  
The eleventh toy is a Teenage Mutant Ninja Turtles action figure.  
The twelfth is a Disney Frozen Snow Glow Elsa.  The price isn’t listed anywhere in the magazine.  I looked online and it’s on sale for 34.99 (normally 39.99).  I don’t know why they didn’t have the price.  Maybe it’s just an error in the catalog?  Or maybe the need to have it takes you to the store or online where a whole new round of marketing can begin.
On the next two pages, there are babies and toddlers wearing fashionable clothing and playing.  Even the toys for little kids are expensive.  A plastic riding-elephant is 39.99.  A door for toddlers to walk through is 79.99.  Thank goodness it’s on sale.  
On page nine there’s a “Leaptop” for children ages 1 1/2+.  There’s also an alphabet dog, many different cars and tracks, and Doodle Bear, and an Elmo whose personality changes depending which hat he’s wearing.  Just like your child can change from a rollicking turtle to a quiet video game player.  
On the next page, everything is a toy from a TV show.  Now the TV show advertises the toy and the toy advertises the show.  The catalog says that there are over one-hundred-twenty choices in store and online.  This connection between show and toy not only creates a marketing circle but also tends to limit the way children play with the toy.  Instead of free play, they act out the story line creating the need to watch more shows and buy more toys.
There are also SpongeBob themed toys.  SpongeBob isn’t a show for three year olds, but these toys are.  They are advertising the show to younger children.  The young children might watch the show to seem cooler in the eyes of older children.  Older children might relate to them because of the toys.  This does not make the content of Sponge Bob appropriate for young children, though.  
There are two entire pages covered in pictures of girls in Disney-Junior themed costumes, playing with Disney themed toys.  Disney is a marketing giant genius in its own right.  They are everywhere and they protect their brand quite well.  Every girl wants to be a Disney Princess.  Every parent of a little girl knows this.  These outfits are expensive, though.  Not to mention the ramification of buying into the princess ideal on young girls as they grow up.  
On page fifteen, The Home Depot Big Builder Workshop is just an advertisement for The Home Depot.  Of course, one must give equal time, so the tool toys are the realm of little boys.  How will this work, though?  No Disney Princess marries the handyman?  What roles are being sold to the children and how will that impact their future view of the world?
There are so many advertisements for tablets for kids.  They are advertised for kids ages three and up.  Why would a three year old need something so they could play video games?  Why would a three year old want to play video games instead of interacting with the real world around them?  
Perhaps one of the most egregious toys available has to be the board game where you identify logos.  It’s marketed for children as young as four.  Clearly, these children are able to play - they know enough logos to name the brand even as pre-readers.  Before they even know how to read they know how to identify logos and can probably identify their favorites.  
The Toys ‘R’ Us catalog should be a frightening read for any parent.  It should make clear that children are being primed as sales targets even as babies.  Television leads to toys leads to sales.  This is the drive of the marketing engine to children.  

Friday, October 24, 2014

A review of Rags and Bones: New Twists on Timeless Tales edited by Tim Pratt and Melissa Marr

I loved this book.  I already love short stories, but these were excellent.  
“That the Machine May Progress Eternally” by Carrie Ryan is inspired by “The Machine Stops” by E.M. Forster.  It is the tale of a man who goes underground and gets stuck there.  While reading the story, I had mixed feelings.  At the beginning I thought I was going to like it, then around the middle I became unsure about it.  I didn’t know if I liked it or not.  I didn’t like the main character AT ALL and had no idea why he wouldn’t make more of an effort to get out (I would have been kicking walls, screaming, and throwing things at people).  When I got to the end, I realized how awesome the story was and I was very glad I read it.  I’m giving it four stars instead of five because even though I liked it, I didn’t like the middle as much.  
“Losing Her Divinity” by Garth Nix is based on “The Man Who Would be King” by Rudyard Kipling.  It is the story of a goddess seeking escape from her immortality.  I’ve heard very good things about books that Garth Nix has written.  I really hope that those books are better than this.  I don’t know what to say other than I just didn’t like the story.  I didn’t connect with any characters, I didn’t enjoy the writing style.  I started to read it, but I just got bored.  I had to force myself to finish it.  One star.  
“The Sleeper and the Spindle” by Neil Gaiman is a retelling of “Sleeping Beauty”.  I can’t find the right words to describe this story.  All I can say is READ IT!  It will probably be one of the best Sleeping Beauty retellings that you will ever find.  Five stars.  
“The Cold Corner” by Tim Pratt was inspired by Henry James’s “The Jolly Corner”.  This is about a man who encounters alternate versions of himself during a trip home.  This story was okay.  It was better than some of the others, but it wasn’t my favorite.  I would probably appreciate this story more if I read the original.  Two and a half stars.  
“Millcara” by Holly Black is a retelling of Carmilla by Joseph Sheridan Le Fanu and it is about vampires.  I LOVED THIS STORY!!!  I love most things written by Holly Black, but I LOVE when she writes about vampires!!!  This was the first story I read and it gave me very high expectations for all the other stories in here.  Fifty-thousand stars.  
“When First We Were Gods” by Rick Yancey is based on Nathaniel Hawthorne’s “The Birthmark”.  This story is about a man who finds a way through technology to kill his wife and live with her maid.  I like the idea of people’s minds being saved every day so if something happened to them they could still survive.  In the right hands, that could make a really good sci-fi story.  But this is NOT that story.  I didn’t like the characters or the writing style or anything.  One star.  
Horace Walpole’s “Otranto” is the seed for “Sirocco” by Margaret Stohl.  This is a tragic love story/murder mystery of sorts.  I probably shouldn’t have read this when I did.  I read this one after I read “New Chicago”, “The Soul Collector”, “Awakened”, and “Millcara”.  After reading four really good stories, this one really fell flat.  I kept telling myself it had to get better, but it didn’t.  Ever.  Not even a little bit.  One star.  
“Awakened” by Melissa Marr was inspired by Kate Chopin’s “The Awakening”.  It is a selkie story and I have been loving selkie stories since I was very little.  I loved this one too.  I remember listening to an audiobook when I was little about a selkie who lost her skin.  My sister and I listened to that repeatedly (much to the annoyance of my father).  I have no words to describe the awesomeness of this story.  If you like mermaids, read this.  Even if you don’t like mermaids, read it anyway.  Five stars.  
“New Chicago” by Kelley Armstrong is a retelling of the “Monkey’s Paw” by W.W. Jacobs.  I remember reading The Monkey’s Paw when I was younger (I also remember thinking it was really creepy).  Looking back on it, I would like it a lot more now.  But I probably won’t like it as much as I like “New Chicago”.  I loved the characters and the story and how it didn’t say what he wished for at the end.  Five stars.  
“The Soul Collector” by Kami Garcia was inspired by “Rumplestiltskin”.  I LOVED this short story.  I will definitely read the original, and probably read this again.  And again.  And again.  Five stars.  
“Without Faith, Without Law, Without Joy” by Saladin Ahmed is a take on Sir Edmund Spenser’s “The Faerie Queene”.  This is the tale of three brothers captured by a fairy.  I didn’t like anything about this one.  Maybe I didn’t like it because I read so many great short stories before I read this and expected something better?  Probably.  One star.  
“Uncaged” by Gene Wolfe is a retelling of William Seabrook’s the “The Caged White Werewolf of the Saraban”.  I read this one right after reading “Awakened”, and it wasn’t even close to being as good as that one.  I didn’t like any of it and it didn’t make the most sense.  One star.  

I averaged my ratings for each story to get my final rating and I got this:  4169.291666666667 stars.  But Goodreads won’t let me rate anything that high, so I’ll pretend the rating for “Millcara” is five instead of fifty-thousand.  Now I have 3.041666666666667 stars.  But I’ll round it up to four stars.  

Wednesday, October 22, 2014

Review of Zen and the Art of Knitting: Exploring the Links Between Knitting, Spirituality, and Creativity by Bernadette Murphy

This book was good, but I didn’t like that there was no mention of anyone who did something interesting or unique with crochet or any other craft.  When someone did something close to crochet, the author talked about considering not including them because they weren’t knitting.  This book could be much better if the author included activities that weren’t just knitting.  She could have had chapters about spinning, weaving, sewing, crocheting, and a bunch of other crafts that can be just as calming and spiritual as knitting.  
I think the book would have been better if, instead of having a knitting pattern at the beginning of each chapter, she had something about different crafts.  It wouldn’t even have to be a pattern.  It could be something like the history of knitting or crochet or spinning or weaving, or even something about the animals that yarn comes from.
The author proves her point that knitting is calming and people knit to get through hard times.  However, people can do that with crochet or other crafts, too.  She speaks of a woman who crochets food and is impressed by her work but goes to great pains to make sure the reader understands that this artist’s work is not as good as pure knitting.  She goes so far as to say that she would not include anything that wasn’t close to knitting even though there are lots of people who do interesting things with weaving, spinning, sewing, or crochet.  
The author asserts that knitting is calming because you can not concentrate on a bunch of things that would worry you - you have to focus on your pattern.  This forces you to clear your mind just as you would in meditation.  However, this is not unique to knitting.  It can be done with many other crafts.   The author exposes her own bias and it colors the impact of the book.  
Three out of five stars.  

Sunday, August 24, 2014

Top ten books I read over the summer (2014)

          10.  Teen Spirit by Francesca Lia Block
          9.  Dogsbody by Diana Wynne Jones
          8.  Sailor Moon Vol. 1 by Naoko Takeuchi
          7.  Alice 19th Vol. 1 and 2 by Yuu Watase
          6.  Fruits Basket Vol. 1, 2, and 3 by Natsuki Takaya
          5.  Coraline by Neil Gaiman
          4.  Stardust by Neil Gaiman

          3.  Kat, Incorrigible by Stephanie Burgis

          2.  Red Glove by Holly Black

          1.  The MirrorWorld Anthology by Cornelia Funke

Friday, May 30, 2014

Top ten books so far this year (2014)

10.  The Fellowship of the Ring by J.R.R. Tolkien
9.  North of Nowhere by Liz Kessler
8.  Puella Magi Madoka Magica, Vol. 01 by Magica QuartetHanokage
7.  Raising Demons by Shirley Jackson
6.  Life Among the Savages by Shirley Jackson
5.  Fortunately, the Milk by Neil Gaiman (Yes, I am aware that this is not a young adult book, but it's still awesome-just ask the Wumpires.) 
4.  The Poison Eaters: And Other Stories by Holly Black
3.  The Night Circus by Erin Morgenstern
2.  White Cat by Holly Black

1.  Reckless by Cornelia Funke  (Yes, this is the same book that was in first place last year, but I read it again last January and cried at the ending even though I already knew how it ended.  Any book that can do that deserves to be first on this list.)